1913 E4 - Michael Gebert
Michael Gebert is the founder and co-moderator of NitrateVille, the online discussion site about vintage films of the silent era through the 1950s. Looking ahead to the advancements soon to come, his selections of almost...
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Michael Gebert is the founder and co-moderator of NitrateVille, the online discussion site about vintage films of the silent era through the 1950s. Looking ahead to the advancements soon to come, his selections of almost...
Julie K. Allen, professor of Comparative Arts and Letters at Brigham Young University, is the author of Screening Europe in Australasia. So it makes sense that her selections, each from a different country, would embody ...
This is the 100th episode and just two weeks past the second anniversary of The 5 Best Films of Every Year Ever! It’s a special episode made even more so by Shelley Stamp, Distinguished Professor of Film & Digital Media ...
1913 is considered by many to be a milestone year in the development of film grammar and industry. And it perhaps is, as is set up by this context-setting introduction and the conversations with guests to come for this s...
Although the 1912 season introduction asserted that “Hollywood was incoming,” the top picks for the year (fueled by a record number of submissions from guests!) is mostly made up of old power players, even if that power ...
Film historian and cultural critic Paul (PT) Klein’s work focuses on American filmgoing cultures. So even when discussing his sole foreign pick, the conversation dives into audience reception to his selections, then and ...
Silent film accompanist and composer Stephen Horne has already composed for or accompanied a couple of his five multinational picks for 1912. But besides discussing the general aesthetic pleasures of his selections, he a...
Marsha Gordon, Professor of Film Studies at North Carolina State University, mostly highlights two directors credited with advancing film narrative with four picks. But she also sings the praises of a certain work of sto...
As Founding Director of HippFest, Scotland’s first and only silent film festival, Alison Strauss is especially knowledgeable about the history of Scottish filmmaking and -going, as represented by three of her picks. But ...
Tanya Goldman, Assistant Professor of Film at Missouri State University, has a strong interest in what could variably be called “nontheatrical movies,” “minor cinema,” “useful films,” and other such phrases, reflected by...
1912 seems to offer more threads of industrial, technological, and social changes in the global film industry than the previous few years, but maybe just because a few still recognizable names can essentially “headline” ...
The introduction to this 1911 season made a big point (or did it?) that the features have begun, and although the majority of the five most selected films from guests and listeners indeed operate in that mode, the vast m...
Casper Tybjerg, Associate Professor of Film Studies at the University of Copenhagen, selects five films that reflect the advancement of narrative cinematic drama. Whether they offer visual and emotional spectacle or crus...
Eva Hielscher, head of film-related collections at Deutsches Filminstitut & Filmmuseum, selects a wholly international survey of 1911 films, jumping from country to country and genre to genre. This heterogeneous view of ...
Thomas Christensen is Curator at the Danish Film Institute, so it stands to reason that all of his selections hail from Denmark. All but one of them come in at “feature length” (and from the same director) as well, refle...
Patrick Friel, educator and programmer, is very interested in non-narrative and experimental film. Therefore, his five selections totally fit into those designations (well, with one semi-exception), but each of them offe...
Kathy Feeley, professor of history at the University of Redlands, wrote Mary Pickford: Hollywood and the New Woman, so it makes sense that two of her picks center the film icon and pioneer, still in the early years of he...
1911 really feels like the beginning of the feature film. Oh sure, it didn’t suddenly define the output of the global film industry, but ambitious experiments from Italy, Denmark, Russia, and only very tentatively, Ameri...
Hopefully you’re not too tired of hearing about how 1910 and its surrounding years are part of a transitional era, but this season’s conversations also revealed how diverse the global medium was at the turn of a new deca...
As Executive Director of San Francisco Film Preserve, Kathy Rose O’Regan works hard to highlight our shared film heritage. Her five picks certainly paint a picture of the international nuances of 1910 filmmaking, with ea...
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