The Men Who Fell to Earth
The Man Who Fell to Earth has always been more than a cult science-fiction story. Walter Tevis first imagined Thomas Jerome Newton in his 1963 novel as an alien who comes to Earth to save his dying world, only to become ...
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History without Censorship | تاریخ بدون سانسور
تاریخ بدون سانسور
The VINTAGE HOUSE Show Podcast On Air & On-Line | Business, Culture, History of House Music
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The Bulwark
The Bulwark
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Doug Young
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Cloud10
FINE BY ME PODCAST
Fine By Me
Lurie Breaks It Down
Women's Empowerment Network, SiriusXM
Arroe Collins View From The Writing Instrument
Arroe Collins
L'Aria che Tira - Pillole di Lirica
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The Jedburgh Podcast
Fran Racioppi
Keep Folk Talking by Openhouse Studio
Openhouse Studio
Tu Historia Preferida
Radio Ebenezer RD
Relax for a while
Relax for a while
La Story Nostalgie
Nostalgie Belgique
Bay Curious
KQED
The WallBuilders Show
Tim Barton, David Barton & Rick Green
Crimes of the Centuries
Amber Hunt and Audioboom
The Master of Demon Gorge: A Chinese History Podcast
William Han
Nota Bene
Benjamin Brillaud
BBC Lê
BBC Brasil
Flower in the River: A Family Tale Finally Told
Natalie Zett
Playlist Culture G : les podcasts pour apprendre chaque jour
Acast France
CanCon
Jordan Heath-Rawlings, Laura Palmer, Mat Keselman
Sound, Light & Frequency
iHeartPodcasts
Two Mics, No Masters
Andy Rossman Patrick Reardon
Rock a Domicilio
Alberto Marchena
PNW Haunts & Homicides
PNW Haunts and Homicides
Дилетант
Дилетант
BioGraphics - True Biographies & History's Most Fascinating People
biog
Films at First Sight
Joe Ferry & Graham Brinkert
KLAVIERGEDANKEN - Carsten Dürer über die Welt des Klaviers ...
Carsten Dürer
Ridiculous History
iHeartPodcasts
Space Waffles
The Geeky Waffle
Songwriters on Process
Ben Opipari
Der Rest ist Geschichte
Deutschlandfunk
Native Land Pod
iHeartPodcasts and Reasoned Choice
Histoire
iHeartPodcasts
The Man Who Fell to Earth has always been more than a cult science-fiction story. Walter Tevis first imagined Thomas Jerome Newton in his 1963 novel as an alien who comes to Earth to save his dying world, only to become ...
On December 17, 2017 — the morning after The New York Times helped blow open the modern UAP era with its Nimitz/Tic Tac reporting — Bryce Zabel was in New Orleans when he turned his phone back on and found a message from...
Sound, Light & Frequency has reached the halfway point of its first season, and the audience is growing fast. Thanks to recent appearances on The Why Files and American Alchemy — which together have been seen by more tha...
Steven Spielberg’s Disclosure Day has arrived with massive expectations, strong early box office, and a wave of polarized reaction from critics, audiences, and the UFO community. Bryce Zabel and Brent Friedman watched th...
Few science-fiction stories have had a stranger afterlife than The War of the Worlds. H.G. Wells first launched his Martian invasion in the 19th century as a devastating reversal of empire: what if humanity was not the c...
In “Deal or No Deal,” Bryce Zabel and Brent Friedman move their investigation from personal testimony into corroboration. After weeks of telling the story of the Dark Skies premiere party, the mysterious man who claimed ...
Cemetery at Midnight is the moment the Sound, Light & Frequency origin story moves from strange Hollywood anecdote into something far larger. After the mysterious J.C. crashed the Dark Skies premiere party claiming to be...
This week on Sound, Light & Frequency, Bryce Zabel and Brent Friedman finally open the file on a Hollywood story they have kept private and closely guarded for nearly three decades. It begins during the making of Dark Sk...
In the aftermath of the latest government UFO file release, Bryce and Brent decide to zig while everyone else is zagging. Rather than parsing another slow-drip document dump, they ask what may be waiting beyond the photo...
Steven Spielberg is 79—turning 80 the week before Christmas—and we’re marking the moment with our first-ever guest: Ernest Cline, author of Ready Player One, the book Spielberg loved enough to turn into a movie. Together...
What happens when the Roswell crash, the Kennedy years, and Hollywood storytelling all collide? In this episode of Sound, Light & Frequency, Bryce and Brent use the Showtime Roswell film as their portal into one of Ameri...
During prep for Sound, Light & Frequency, Bryce Zabel and Brent Friedman are digging through old Dark Skies files when they stumble on two artifacts they’d almost forgotten existed—objects so specific, and so unsettling,...
In “Majic Kingdom,” Bryce and Brent ask an uncomfortably fun question: why does Disney keep showing up in the UFO story? Bryce starts with the modern reality—Disney isn’t a historical footnote, it’s the current epicenter...
In this episode of Sound, Light & Frequency, Bryce Zabel and Brent Friedman dig into the true origins of UFO storytelling in Hollywood, using The Day the Earth Stood Still as a gateway—but quickly expanding the conversat...
In “Cover of Fiction,” Bryce Zabel and Brent Friedman explore how Hollywood sometimes tells the truth most effectively when it’s disguised as entertainment—and why that might be the only way certain ideas can travel with...
Using James Cameron’s The Abyss as a springboard, this episode of Sound, Light & Frequency dives beneath the surface of the UFO mystery to explore the strange and increasingly serious world of USOs—Unidentified Submerged...
In this episode of Sound, Light & Frequency, Bryce and Brent take on Contact (1997), Carl Sagan’s beautiful, brainy, and decidedly UFO-free journey into alien possibility. But beneath the film’s awe, wonder, and cosmic l...
For forty-four years, Brent Friedman has carried a story he has never fully told in public. A few fragments slipped out here and there, but never the names, never the full context, and never the larger implication of wha...
In “Presidents' Club,” recent headlines about Obama and Trump circling the alien/UFO question become a launchpad—not for breaking-news punditry, but for what Sound, Light & Frequency does best: following the secret threa...
Steven Spielberg is Mr. Close Encounters—the filmmaker who arguably made UFOs “respectable” on screen, starting with Close Encounters of the Third Kind (and its three distinct cuts: 1977, 1980, 1998). In Episode 2, hosts...
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