Podcast Index
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Voice of the Arts
WQED Multimedia
Inclusive Groove
Elsie Croker
Podcast Patapoe
0d0a
Jono, Ben & Megan - The Podcast
The Hits
El Peluche Radio
RTN Podcast
All Gas No Trash
GameRageMagazine
平成J-POPの名曲を味わうRADIO
ヤマカワタカヒロ・フジモトヨウヘイ
YORDI EN EXA
MVS Radio
Jase, Lauren & Clint
Nova Podcasts
Chico Himself
Chico Himself
Formula Indie
European Indie Music Network
Tony Mantor's : Almost Live..... Nashville
Tony Mantor
Berlin Sounds Inside – Der Musiktalk mit Anja Caspary
radio3 (Rundfunk Berlin-Brandenburg)
The Kyle Peterson Show
Kyle Peterson
UV Music Group
Naww G
The Music Business Buddy
Jonny Amos
Hey BigHead: The Vegas Local Podcast
Andrew Figurelli
Arroe Collins: Unplugged & Totally Uncut
Arroe Collins
Shuz Puppy/TranSlaves
Анненков Павел
The Mastering Show
The Mastering Show Podcast
Radio Mystery Theater (CBSRMT.com)
Radio Mystery Theater
Beatles Radio Shows
Doug Young
Around the Bar
Michael Oppmann
Tracks
PromoDJ
咖啡音乐
平凡的咖啡音乐
Promo Estereo Podcast
Promo Estereo
The David Bradley Show
Host: David Bradley
Arroe Collins View From The Writing Instrument
Arroe Collins
Music News Today | 2 Min News | The Daily News Now!
The Daily News Now!
Into The Doerfel-Verse
Sir TJ The Wrathful, Shredward, Kurtisdrums, Ben Doerfel, Cousin Mike
979 WJLB's Rewind
FM 98 WJLB (WJLB-FM)
Friends Keep Secrets
Perfect Strangers
Big L Radio Listen Again
admin Big L 1395am
Saturday Morning Polkas on WZIP
WZIP-FM
Nashville Nugget with Bullfrog
7 Mountains Media
A Musician and A Filmmaker
Greg Phipps
Musique
The Mastering Show Podcast
I'm seeing several different discussions online about what makes a "real" mastering engineer – and some of them are getting pretty heated !So what really matters the most ? Expertise, experience, or credits ?In this epis...
Audio repair and restoration has always been a huge part of mastering – and not only for re-mastering vintage material.Even modern recordings can have problems like clicks, thumps, hiss, amp buzz, distortion and many mor...
I used to say that the Loudness Range (LRA) measurement wasn't really useful when mastering - but recently I changed my mind. In this episode I explain why, and how loudness range is actually something you might want to ...
More and more people are choosing to get vinyl copies of their music made one at a time, rather than having hundreds of copies pressed at once. Or in very small batches, or allowing fans to order copies on demand.So how ...
I see it every day: “The Loudness Wars are over - loud won. Get over it”And it’s easy to see why. The average mainstream release hits -8 LUFS integrated or more; club releases regularly hit -6 or even -4 LUFS and are pea...
It was the Grammys this week - you can't have missed it !And somewhere along the way I saw an article by Ian Vargo assessing the loudness and dynamics of the nominees for Best Song.In this episode I talk about what he di...
Getting your music "synced" for licensing in TV, movies or ads can be an amazing opportunity for indie musicians to make money and gain exposure. But is it just a pipe dream, and is mastering a necessary part of the proc...
This started out as a Q&A episode, but one way or another there turned out to be a real theme to many of the questions, namely - how do you choose between technical and creative considerations, when mastering ?Questions ...
Translation is one of the main goals of mastering - make the music sound great on any platform, and any delivery format.But how is that possible ? How can we optimise the audio to sound great on both a huge PA and crappy...
Brian Eno is probably the musician, producer and artist who has had the single biggest influence on my music taste and enjoyment over the years. His work speaks for itself and needs no introduction ! So when I heard Emre...
I wanted to do something a little different to mark the 100th episode, but wasn't sure what. I was wondering about interviewing myself but that seemed a little weird... And then Matt Boudreau from the excellent Working C...
Stereo, mono, binaural or surround-sound ?I've worked with this episode's guest in all these formats and more over the many years we've been working together - but which does he prefer, and why ?Richard Durrant describes...
'Stem mastering' has provoked a ton of debate recently, with people claiming it crosses the line between mixing and mastering, interferes with the artist's intent, and isn't even really mastering at all !But if that's tr...
The term “legend” gets thrown all the time in audio production circles, but my guest this episode really deserves it. I’m sure you already know this but Ken Scott has worked with the Beatles, David Bowie, Elton John and ...
We’ve been using “soft clipping" in mastering for over 20 years at this point, but it suddenly feels as if it’s all anyone is talking about ! New plugins, new suggestions about how to use it, and wild new claims about ho...
The Billboard Top 50 global singles from the first half of 2024 have an average loudness of -8.3 LUFSSo that’s how loud we should be making our masters, right ?Well…It certainly might seem that way, but in reality it’s a...
2 cool things (and a special offer!) by Ian Shepherd
People are always asking me about mastering for vinyl, and I’m happy to try and help based on the experience I have. I don’t actually cut vinyl myself though, so that advice is always limited and second-hand. So for this...
I’m always arguing for balanced dynamics rather than loudness for it’s own sake, but some people have a different opinion - high loudness is important, and even beneficial.Nick Di Lorenzo is one of them - he says that lo...
You can't go a day without someone telling you how loud your music should be, these days."Everything has to be -8 LUFS""EDM has to be -6 LUFS or louder""-11 is the perfect balance""Just master everything to -14"...but th...
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